rants

Why Are Network News Divisions Dragging Their Heels On Converting To HD Programming?

While most of you heathens were watching The Hills and/or The New Adventures Of Two And A Half Men Who Met Your Mother on Monday night, your Uncle Grambo was plowing through the first two and a half hours of the new Frontline documentary, Bush's War. On an emotional level, it was a thoroughly exhausting experience — reliving those nightmarish days of September 2001 and the resulting six-plus years of what can only be described as another long national nightmare had precisely the opposite effect on my sleep patterns as a fistful of Ambien. That said, it deserves classification as essential viewing, regardless of your party affiliation. That said, this post is not about George Bush or politics, nor does it have anything to do with the subject matter of the two-part series that Variety describes as a "great historical drama." Rather, it's about how glorious it was to watch a news documentary that was specifically tailored to HDTV and why we're considering boycotting 60 Minutes until they make the switchover to hi-def programming.

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trade roundup

Trade Round-Up: Poisoned Russian Spies Are Totally Hot Right Now

· Columbia Pictures and Michael Mann rush to get their own project about fatally poisoned ex-KGB agent Alexander "Sasha" Litvinenko (this one based on the as-yet-unpublished Death of a Dissident book co-authored by Litvinenko's widow) into the development pipeline after losing a precious few days of lead time to rival Warner Bros. and Johnny Depp, who announced their own poisoned-spy project based on the as-yet-unpublished Sasha's Story on Friday. [Variety]
· NBC takes one step closer to its bold plan of having the Today Show stretch from the wee hours of the morning directly into its primetime offerings, adding a fourth hour to the gabfest. [THR]
· Working Title heads Tim Bevan and Eric Fellner happily hand over another seven years of their lives to Universal. [Variety]
· PBS locks up superstar Ken Burns with an exclusive contract running until 2022, preventing their prized documentary nerd from being tempted by the siren call of Discovery or the History Channel. [THR]
· Without an overseas Stomp the Yard release to capture foreign moviegoers' hearts, Night at the Museum dominates the international box office for a third straight weekend, earning $19.1 million. [Variety]