fanningwatch
Having
done our homework about dedicated Hollywood recluses over the last few days, we can assert with 100 percent certainty that despite her disappearance after the Park City clusterfuck that was
Hounddog,
Dakota Fanning is no John Hughes or Terrence Malick. Nevertheless, while this somewhat frightening video passed along by MTV (with its insistent English narrator positing: "Was she scared off by the negative press for
Hounddog, or did she simply run and hide because she hit that awkward pubescent stage? Because it seems like all the little girl roles lately have been filled by others!") helps allay our worst DakotAWOL fears, what replaces them is perhaps eerier than any exile we could have imagined.
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hollywood fanningwatch
In a shocking—shocking!™—development destabilizing the world of preternaturally talented child actresses whom Hollywood will suck dry before their 18th birthdays and banish to SAG's Not-So-Cute Anymore Halfway House in Reseda, both Dakota and Elle Fanning have abruptly exited the film My Sister's Keeper, the project that would have represented the sisters' first cinematic collaboration since sharing a character in I Am Sam.
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Great news for all FanningWatchers disappointed in preternaturally talented teen megastar Dakota's meager cinematic output of the past year: the Sundance debut of little sister Elle's
Phoebe in Wonderland could spark a return to Hollywood prominence for the clan. And: the movie's completely rape-free, demonstrating that the family's handlers learned their lesson about pushing their earners towards too-mature material from the fallout accompanying the Sundance screenings of Dakota's noble-intentioned, but poorly received,
molestation-preparedness film,
Hounddog. [
LAT Live From Park City]