WHAT'S NEW: As per tradition this June, it's another new release "duel" with an essentially foregone conclusion: The already-beloved (except among fat people and the GOP) Pixar entry Wall-E is ready to go at No. 1, with the bloody Angelina Jolie/James McAvoy destiny-caper Wanted lagging some miles behind with its R-rating. Crap-allergic audiences who stayed away from last week's openings may nudge Wall-E toward the high end of its projected $55 million opening. The same can be said of the male-skewing Wanted, which will surpass $40 million without much trouble. At least we hope so for Disney and Universal's sakes, as both films will vanish into Hancock's booze-smelling shadow in T-minus five days and counting.

Also opening: The Matthew Broderick gerund dramedy Finding Amanda; the Irish-drunks-at-a-wake comedy Red Roses and Petrol; and the 19th-century Catherine Breillat/Asia Argento clash The Last Mistress.

THE BIG LOSER: None of this weekend's new releases will underachieve that much, but The Love Guru may be the first film ever to drop 100% from its opening weekend. Get Smart won't age well, either.

THE UNDERDOG: A hybrid of stage readings, archival footage and interviews, Trumbo isn't going to blow any minds in illuminating the troubled life and times of its blacklisted novelist/screenwriter namesake Dalton Trumbo. That said, his story (adapted from son Christopher's off-Broadway play) is as concentrated an account of the blacklist's havoc as any we've seen, and the actors gathered to monologue his correspondence from the era — including Brian Dennehy, Joan Allen, Paul Giamatti and particularly David Strathairn — do well by their subject's moody talent. At the very least, Nathan Lane's stirring five-minute paean to masturbation is a YouTube hit in the making.

FOR SHUT-INS: This week's new DVD releases include Roland Emmerich's steaming pile of 10,000 BC; the dark, dark Colin Farrell hit-man comedy In Bruges; the Oscar-jilted, animated coming-of-age story Persepolis; the underrated rom-com Definitely Maybe; and the desperately awaited "Magical Musical Edition" of Xanadu — complete with soundtrack! (Razor blade sold separately.)

So what's your outlook for the weekend — lovesick robot or bullet-curving megastar? Or some other new, nifty treat altogether? Are you the one person in the country who'll dare to drop $11 on The Love Guru? Or is it an all-Xanadu weekend? Let us know — we can help!

WHAT'S NEW: For the second consecutive week, a pair of critical underachievers square off at the multiplex. But while the noisy, mostly terrible Get Smart is something of a masterpiece compared to The Love Guru, we expect both to lock in for decent opening frames; estimates below $40 million seem conservative for Smart, and Guru, almost-unilaterally loathed as it is, will still pull around $22 million from teenagers not knowing any better. Watch out, though, for Kit Kittredge: An American Girl, the first film based on the popular doll brand; opening in limited release in markets featuring American Girl stores, this will eventually pull every 10-and-under girl (and her mother) into a theater near you.

Also opening: The Santa Monica parking ticket romance Expired and the arranged-marriage-in-London drama Brick Lane.

THE BIG LOSER: We may not actually have one this week, though were taking early wagers on The Love Guru's second-week plunge. We'll even sweeten the deal: Winning bets on anything less than 70% pay double!

THE UNDERDOG: The first weekend of the L.A. Film Festival offers a pretty diverse assortment of programming — and, alas, quality — but we'd be derelict in our underdog-reporting duties if we didn't single out the tiny, riveting Thai entry Wonderful Town (Saturday at 7 p.m., AMC Avco 4). Aditya Assarat's story follows a big-city architect dispatched to oversee a luxury hotel project in the ruins of the 2004 tsunami; culture clash and doomed romance ensue to ultimately shocking degrees, but Assarat's handle on melancholy (as well as the rich, hazy inland landscapes) thwarts the potential for melodrama. This will likely return in limited release from its distributors at Kino, but why wait? Plus it will make you that much cooler when eventually recommending it to latecoming friends.

FOR SHUT-INS: New DVD's include Michel Gondry's sweding buddy picture Be Kind Rewind, the must-not-have Mashew McConauhdgrl/Kate Hudson collaboration Fool's Gold, Alison Eastwood's mildly underrated directing debut Rails and Ties, the Martin Lawrence offering Welcome Home Roscoe Jenkins, and Grant Gee's extraordinary, anecdote- and interview-heavy rock documentary Joy Division.

So are you getting Smart this weekend, or are you sucking it up for 100 minutes with Guru Pitka? Any LAFF recommendations we should take in? Will Be Kind Rewind be more ironic than ever on DVD? Be honest! Share your plans, and look us up if you're planning a Westwood festival sojourn.

WHAT'S NEW: Edward Norton still may not be doing much to promote The Incredible Hulk, but once all the behind-the-scenes drama died down and we actually got a chance to see the film, we realized, "Hey — this isn't so bad." Or rather, it is what it is: A loud blockbuster for 14-year-old boys, with top-to-bottom miscasting (with the exception of a pathologically brutal Tim Roth) exacerbated by action auteur Louis Leterrier's hamfisted touch. But! It is kind of spectacularly dumb, arresting summer viewing — we've heard it described as King Kong meets The Bourne Identity, which is just about perfect — and predictions of a $55-$60 million opening might even be understating things. It certainly won't get much competition from the paucity of what's around it this week, particularly...

THE BIG LOSER: The Happening has miserable word-of-mouth and an R-rating working against it, and while we can't add much beyond our previous dispatches and what our own Reviewer X mentioned here on Monday, we can say that we'll be pretty shocked if Manoj's Folly cracks $20 million by Sunday night. And that's probably a number Fox would be happy with, even if it means third or even fourth place overall behind Hulk, Kung Fu Panda and possibly Zohan. But this isn't Speed Racer — if this does hit $20 mil, expect a backlash to the backlash by the time we reconvene next week.

THE UNDERDOG: We alluded yesterday to the unhinged creepiness of Quid Pro Quo, a mystery/romance/mindfuck featuring Nick Stahl as a paraplegic radio journalist who, er... stumbles? Rolls? OK, happens upon a subculture of "wanna-be" disability fetishists. Among them: Vera Farmiga, who takes an immediate (and suspicious) liking to Stahl's baffled chair jockey even as their physical trajectories cross radically — hers en route to the paralysis she craves, his en route to walking again. The actors' heavy lifting saves writer-director Carlos Brooks's pretentious ass on more than one occasion, but conceptually, anyway, Quid wields the kind of strength and endurance M. Night Shyamalan only experiences these days from his hair product.

FOR SHUT-INS: This week's new DVD releases include the terminal-cancer buddy bomb The Bucket List; the Hayden Christensen teleportation adventure Jumper; Michael Haneke's American remake of his torture opus Funny Games; Zak Penn's terrific poker-culture satire The Grand; and finally, by popular demand, What's Happening! The Complete Series.

So are you Team Hulk or Team Happening? Can Manoj shatter expectations and bring home the hit he so desperately needs? Did we miss a diamond or some other, less-precious gem in the rough? It's Father's Day weekend — what does your old man want to see?

WHAT'S NEW: With the May tentpoles out of the way, Sony and DreamWorks Animation are set to spar in the first head-to-head weekend of the summer. Sadly, however, with such diverging demographics for You Don't Mess With the Zohan and Kung Fu Panda, we will not get the Kimbo Slice-esque ass-beating the box-office sadists in us were quietly praying for. Theaters are happy about it, though, with Adam Sandler's annual mediocrity orgy guaranteed its minimum $35 million and Panda — with its Black/Jolie firepower and well-above-average reviews — raking in the $50-$55 million from families who dodged Speed Racer a month ago and have three weeks before Pixar's Wall-E emerges. Far be it from us to be content with a draw, but this is a weekend when our blood lust may go unsatiated.

Also opening: the John C. Reilly/Seann William Scott workplace comedy The Promotion; Dario Argento's slipshod gore-stravaganza Mother of Tears; the Sundance '07 leftover The Go-Getter; the Genghis Khan epic Mongol; and Heather Graham's long-awaited foray into menopausal baby-making comedy, Miss Conception.

THE BIG LOSER: We made a critical math error last week, underestimating the take for The Strangers by, oh, 150% or so. That won't happen again this week, if only because as mentioned above, nothing new stands to tank. Even Sex and the City enjoyed a robust week since its initial windfall ($73 million through Wednesday) and shouldn't drop more than 50%. But that's OK! Next week, The Happening should implode more than spectacularly enough to make up for it.

THE UNDERDOG: Another fairly flimsy week here, but we did kind of like the When Did You Last See Your Father?, starring Colin Firth as an author reconciling the secrets, guilt and memory of his dying dad, played by Jim Broadbent. Despite a few narrative lapses (a frustrating Firth affair subplot dies at the intersection of chamber drama and bad editing) and director Anand Tucker's overbearing stylistic flourishes, newcomer Matthew Beard's coming-of-age awkwardness as young Firth dovetails nicely with the adult animus that follows. You could do worse.

FOR SHUT-INS: New DVD's this week include the completely remastered, retooled and highly acclaimed Dirty Harry Collection; the less-highly acclaimed Will Ferrell basketball laffer Semi Pro; the much-less-highly acclaimed Jon Heder/Diane Keaton duel Mama's Boy; the Ian Curtis biopic Control; and the long-shelved, sadly underachieving The Onion Movie.

So who takes it? Bamboo or matzo, fur or mullet? Can SATC break $100 million before its sequel's screenplay is written (if it isn't already)? Tell us what's worth your time this weekend; are you retrofitting your bomb shelter for the next two weeks of releases? And can we join you?

WHAT'S NEW: We've heard Sex and the City referred to as everything from a "women's cultural moment" to "plow donkeys wearing lipstick," a fantastically diverse spectrum of hype that reflects a true phenomenon — if not necessarily guaranteeing a box-office windfall. But we'll stick with the conventional wisdom on this one, especially after a number-crunching source sends word that it's already over 1,000 sellouts and pushing $6 million before noon. With Indy 4 dropping at least 50%, and even with male moviegoers calling in dead, we're calling SATC for $51.5 million, Indy for $49 million, and the never-say-die Speed Racer hanging in there with about $200.

Also opening this week: the Mena-Suvari-in-cornrows horror/drama Stuck; the martial arts comedy The Foot Fist Way; and the gonzo steroid doc Bigger, Faster, Stronger*.

THE BIG LOSER: Universal thinks it's playing The Strangers just right, with the Liv Tyler/Scott Speedman home invasion thriller offering ideal counterprogramming against the estrogen-skewing SATC. We're a lot less optimistic, with critics pummeling it and the R rating thwarting a young (particularly male) audience that has nowhere else to turn. If it does more than $8 million we'll be stunned.

THE UNDERDOG: Now this is counterprogramming: Fifteen years after his queer tabloid romp Swoon, filmmaker Tom Kalin returns to true crime with the luridly omnisexual Savage Grace. Julianne Moore is in top form as Barbara Baekeland, whose marriage into the Bakelite fortune yields a roving husband (Stephen Dillane), a tormented gay son (Eddie Redmayne) and her own psychosis over years of imploded family ambitions. Moore's riveting interface with Redmayne — an essentially symbiotic passive to her aggressive, until an intimate coupling one must see to believe torpedos everything — is ripped straight from the scandalous headlines by Kalin, who orchestrates it all as one of the most dynamic melodramas in years.

FOR SHUT-INS: This week's new DVD's include the Woody Allen "thriller" Cassandra's Dream; the Forest Whitaker/Sarah Michelle Gellar/Brenadan Fraser ensemble stinker The Air I Breathe; Daniel Kraus's outstanding on-the-job doc Musician; and the ultimate anti-SATC tonic, Rambo: The Complete Collectors Set.

So can an old man outperform four younger women for three days straight? Are we misreading the odds for The Strangers? Recommend something to us for a change — what's good out there?

WHAT'S NEW: There's a holiday-ready, cruise-control part of us that feels like skipping this part of Defamer Attractions, but again, Indiana Jones 4 is not the only new release demanding attention. That said, with $26 million already in the bank on Thursday, and with the Indiana Jones PlunderWatch Projection Ticker speeding toward $9.5 trillion, we should probably just get it out of the way. It's easily going to win the weekend, but can it displace four-day weekend champ Pirates of the Caribbean: At World's End ($139.7 million) and five-day king Star Wars: Revenge of the Sith ($172 million) as the all-time biggest box-office bow? We doubt it; there's too much cultural competition to overcome the 19-year generation gap. Nevertheless, we're still calling Indy to break $110 million by Sunday and $140 million by Monday, thus promising a fifth installment set in 1967 and pitting our hero and his greaser sidekick/offspring against their toughest adversaries yet: Filthy, filthy hippies.

Also opening: John Cusack's Iraq satire/career nadir War, Inc.; the here-and-gone Jonathan Rhys Meyers drama The Children of Huang Shi; and the acclaimed Vice Magazine-produced doc Heavy Metal in Baghdad.

THE BIG LOSER: Despite early reads positioning Postal in the same critical class as What Happens in Vegas, Speed Racer and Sex and the City, it won't likely be enough to boost Uwe Boll's latest clusterfuck to anything approaching respectable at the box office. Granted, he's on four screens as opposed to, say, Indy 4's 4,200, but if Postal's per-screen average breaks $8,000, we'll volunteer to be the guy eating his own puke in Boll's next film. What? Stoic has already been shot? Whatever. The point is: It will not happen.

THE UNDERDOG: Fatih Akin's 2005 culture-clash stunner Head On captured audiences about as abruptly and unforgettably as its title suggested, and his follow-up, The Edge of Heaven, revisits his volatile Turkish/German roots with no less intensity. Which, considering its scope, is a bit of a marvel: A elderly Turkish man invites a compatriot prostitute into the home he shares with his son in Bremen. It ends... poorly, with the son traveling to Istanbul to find the woman's 20-something daughter. She's embroiled in political actions there, expatriates herself to Germany seeking asylum, falls in love with another young woman, and then — horror of horrors! — is expelled back to prison in Turkey. The interwoven searches and tragedies that follow in Heaven make Babel look like an afterschool special — not for their violence or viciousness (though they have that, too), but for their stoicism and, ultimately, their unalloyed compassion. And in any case, we'd never reject anything featuring both lesbians and Turkish prison.

FOR SHUT-INS: New DVD's this week include National Treasure 2: Book of Secrets, the latest terrible George Romero zombie entry Diary of the Dead, the Richard Gere/Claire Danes folly The Flock, and the long, long-awaited complete first season of The Bill Engvall Show.

So are we low-balling Indy's weekend plunder? Are we too generous? And is anybody actually planning to see Postal? Share your own plans, place your own bets and go ahead — tell your boss we said you could take Monday off!

WHAT'S NEW: The Chronicles of Narnia: Prince Caspian is guaranteed to knock incumbent champ Iron Man from its box-office perch, with most observers predicting the second installment of the Disney franchise to muscle into first with as much as $79 million. And with merely five days before Indiana Jones 4 wheezes into multiplexes internationally, Disney is no doubt hoping that even that number is somehow on the low end. We don't think so; even without major counterprogramming, $74 million seems a little more reasonable what with holdovers Iron Man, What Happens in Vegas, Made of Honor and even Speed Racer still pulling in viewers who are just fine waiting for the DVD. Also opening: a light week overall, with the America Ferrera vehicle How the Garcia Girls Spent Their Summer and the acclaimed Norwegian drama Reprise playing small-ball in Caspian's shadow.

THE BIG LOSER: Iron Man may drop another 50% from weeks two to three, but with Speed Racer forecast to pull in less than $10 million in its own second week — potentially accumulating less than $30 million domestically in 10 days of release — the indignities just never end for the Wachowskis, Warners and everyone involved.

THE UNDERDOG: Back when Sangre de mi Sangre (Blood of my Blood) was known as Padre Nuestro, its Grand Jury Prize at the 2007 Sundance Film Festival all but assured it the fest's long-suspected "best picture curse." But we knew at the time it was a remarkable debut feature for writer-director Christopher Zalla, whose identity-theft thriller about a pair of Mexican stowaways transplanted to New York was misread as everything from a globalization allegory to an overreaching effort at social realism. In fact, Sangre is all and none of these things, nothing more so than a riveting glimpse at two immigrants' reinventions: Villainous schemer Juan (Armando Hernández) and his "papa," cash-hoarding dishwasher Diego (Jesús Ochoa). The latter's tentative warming to his imposter son — while real son Pedro (Jorge Adrián Espíndola) scours Brooklyn for any clues to both men's whereabouts — is as dynamically acted and observed as any first film you'll see this year. And despite its precarious limited release, you should seek it out, and you should see it. Fuck the Sundance curse.

FOR SHUT-INS: Highlights among new DVD releases include Francis Ford Coppola's mind- (and patience-) bending comeback Youth Without Youth; Denzel Washington's late '07 Oscar bait The Great Debaters; the Diane Keaton/Katie Holmes/Queen Latifah trifecta Mad Money; the Criterion Collection's Louis Malle tandem The Lovers and The Fire Within; and — finally, thank God — Two and a Half Men: The Complete Third Season.

Does anyone want to go out on a limb for or against Prince Caspian's weekend reign? Did we miss anything on a sluggish week for new releases? Can you explain Youth Without Youth in 50 words or less? Don't be shy; the floor is yours.

WHAT'S NEW: Whereas last week the only question we faced was the degree of the Iron Man beating awaiting Patrick Dempsey and Made of Honor, today we're starting a pool to see how close (or how far) Marvel's $100 million hero will keep Speed Racer before pulling away in the Sunday home stretch. Most observers expect Iron Man's take to drop as much as 50% this weekend, but like last Friday, we think lingering word-of-mouth and irresistible talent will keep the film well in excess of expectations — as in $65 million to Speed Racer's $40 million. We'll get to the Ashton Kutcher/Cameron Diaz vehicle What Happens in Vegas in a second, but more painlessly for now, here are some of the other new titles bottlenecking theaters: Music video maven Tarsem's sumptuous (and apparently boring) labor of love The Fall; the John Leguizamo / teenagers-fucking satire The Babysitters; the espionage spoof OSS 117: Nest of Spies; and the canny Paskowitz family documentary Surfwise.

THE BIG LOSER: We've heard it said that What Happens in Vegas is Fox's idea of counterprogramming to Speed Racer, but what do you really call it when the weekend's biggest new release itself amounts to second fiddle overall? History will decide, but we think $20 million estimates are far too generous for the Kutcher/Diaz miscarriage. Try closer to $16 million and, as the gift that keeps on giving, a pan for the ages from Manohla Dargis: "[B]ecause its director, Tom Vaughan, brings nothing of interest to the movie, including filmmaking, there isn't anything to say other than to note its insulting ugliness and ineptitude. ... It's disheartening that Ms. Diaz doesn't seem to realize that there's no upside to a role that strips away her dignity even as it peels off her clothes, especially when she's playing the shrew." Now that's love we can all take to the bank.

THE UNDERDOG: A terrific Famke Janssen skips the glam in Turn the River, the writing-directing debut of actor Chris Eigeman (Metropolitan, Kicking And Screaming). As a single-mother gambler and pool shark planning to steal her young son away to Canada — but only after hustling her way to $50,000 — Janssen digs into River with both leading-lady aplomb and a wounded integrity most of her male contemporaries usually try to approximate through overwrought brooding. Co-star Rip Torn is good for a few ironic flourishes that redeem the late melodrama, all of which are outdone by Janssen's real pool-shooting exploits. We wouldn't bet against her — at least not this weekend.

FOR SHUT-INS: You can have your I'm Not There DVD's, your P.S. I Love Yous, your vagina dentata comedy Teeth, your fourth season of The 4400 and all that other bullshit. But there is really only one new title worth welcoming into the guilty sanctuary of your own home: The Hottie and the Nottie. Miraculously neither watchable nor as bad as it's made out to be, judge for yourself the blight of Paris Hilton vanity on this week's release calendar.

So are you down for or down on Speed Racer? Will What Happens In Vegas stay, ahem, in Vegas? Will newfound billiards talent Famke Janssen kick your ass for an easy 50 grand? Go all in and let us know where your money's riding this weekend.

WHAT'S NEW: Having achieved deafening critical and civilian buzz over the last week, the only remaining question about Iron Man is not if it will kill this weekend, but how it will kill. A close read of the historical record suggests the latest Marvel hero is in for at least an $80 million weekend (including last night's late screenings), but we think that's conservative — accounting for neither repeat viewings nor the Robert Downey Jr. Factor making this as much of an adult treat as a teen/fanboy orgy. We'd be surprised if it didn't break $60 million by Sunday and maybe even $90 million when the dust clears Monday.

Also opening (for what it's worth): Made of Yawner — ahem, Honor, starring Patrick... whoever. Indies of note include the Toronto '07 opener Fugitive Pieces, the coming- of- age- via- sweding- Stallone film Son of Rambow, and the Argentinian teen hermaphrodite drama XXY.

THE BIG LOSER: As long as he's wishing critics dead, we might as well get our money's worth: David Mamet's Jiu-jitsu saga Redbelt isn't so bad, but we expect Iron Man to vanquish its testosterrific charms in the weekend's qualifying rounds before moving on to the more saccharine, sinewy Dr. McDreamy and Co. Come to think of it, the Sony conglomerate as a whole will be missing Spider-Man right... about... now.

THE UNDERDOG: We'll be hearing a bit more from the filmmaker later today, but writer-director Harmony Korine's comeback Mister Lonely is a maverick wack-job of the highest order: A Michael Jackson impersonator (Diego Luna) runs off with Marilyn Monroe (Samantha Morton) to a Scottish colony of other celebrity impersonators, while a drunken priest (Werner Herzog) exhorts a troupe of flying nuns a hemisphere away. Infinitely warmer than Korine's previous directing efforts Gummo and Julien Donkey-Boy (what isn't?), it's no less hypnotic, funny and confounding.

FOR SHUT-INS: New DVD's this week include The Golden Compass, The Diving Bell and the Butterfly, 27 Dresses, the reissued Sarah Jessica Parker/Helen Hunt masterpiece of 1985, Girls Just Wanna Have Fun, and the nifty microbudget drama from director Todd Rohal, The Guatemalan Handshake.

Are we overestimating Iron Man? Underestimating it? Will anyone but our mothers consider seeing Made of Honor in the next three days, if ever? Stake your claim to bragging rights by placing your bets below.

WHAT'S NEW: Baby Mama and Harold and Kumar Escape From Guantanamo Bay will duel for the top spot, with the latter film predicted to ride its franchise basis all the way to No. 1. Its R-rating won't help against the PG-13 Tina Fey vehicle, however, which could lure its core female demographic to an opening take of $13 million. Harold and Kumar's estimates are all over the place — from $11 million to $16.6 million — so wager now for Monday morning bragging rights. Also opening: Errol Morris's Abu Ghraib doc Standard Operating Procedure; the Burt Reynolds gambling drama Deal; and French legend Claude Lelouch's suspenser Roman de Gare.

THE BIG LOSER: Talk about dump-and-run: A-listers Hugh Jackman, Ewan McGregor, and Michelle Williams are hiding in plain sight in the "thriller" Deception, which we didn't even know existed until Variety revealed Fox was throwing it on 2,000 screens this weekend. And the critics love it almost as much as last week's Pacino-Bomb 88 Minutes; with 6% favorable ratings currently at Rotten Tomatoes, the film "was made to be forgotten," writes Onion AV Clubber Scott Tobias.

THE UNDERDOG: We're of two minds about Helen Hunt's directorial debut Then She Found Me. Yes, the sex in the film is quite terrible, and yes, the story lapses perhaps too eagerly at times into rom-com convention. (First mistake: casting Colin Firth.) But! Hunt's story of an adopted, baby-craving New Yorker (Hunt) whose husband leaves just as her birth mother (Bette Midler) reenters her life has way more going for it than we'd thought — Midler, for starters, whose meddling, mendacious mommy is one of her most modulated performances in years. Paired with Hunt, their timing, vulnerability and overall chemistry are as worthy as any of the Fey/Poehler maternity schtick anchoring Baby Mama.

FOR SHUT-INS: You'd be crazy to stay indoors this weekend, but still: New DVD's include Cloverfield, Charlie Wilson's War, The Savages and the most heavily anticipated TV revival of at least the last seven days, Laverne & Shirley: The Complete Fourth Season.

So are you with Team H&K or Baby Mama in the Battle of the Middling Spring Comedies? Will you roll the dice on Deception? Will you trust us on Bette Midler? Go ahead: Now tell us how to spend our weekend.

WHAT'S NEW: Chockablock with tropical raunch and waaaay more of Jason Segel than you ever wanted to see, Forgetting Sarah Marshall has Variety suggesting that the film's "R" rating could push it down to a opening weekend "in the low- to mid-teens." Not half-bad for a studio comedy budgeted at $30 million, but probably not enough to surpass the PG-13 Jet Li-Jackie Chan action-fantasy The Forbidden Kingdom, which is predicted to top out around $18 million on roughly 3,100 screens. Also opening: Morgan Spurlock's gonzo War-on-Terror doc Where in the World is Osama Bin Laden?; the portentous Uma Thurman-Evan Rachel Wood drama The Life Before Her Eyes; the Ben Stein entry Expelled; and the throwaway MGM thriller Pathology.

THE BIG LOSER: Prom Night stands to drop as much as 70% from last week's No. 1 spot, but really, we're just waiting to see what kind of audience revolt ensues at screenings of 88 Minutes. Already recognized among the decade's most reviled films, the Al Pacino suspenser will likely draw about $30 million in masochistic lookie-loos, with $25 million being returned shortly thereafter in angry box-office mutinies around the country.

THE UNDERDOG: We haven't even seen the Jenna Jameson crossover vehicle Zombie Strippers, but that's no reason for us to withhold our zeal. Plus, let's face it: The world needs a Robert Englund comeback in the worst way.

FOR SHUT-INS: New on the DVD shelf this week are special editions of the essentially interchangable Juno and Alien vs. Predator - Requiem; other titles include the Sidney Lumet drama Before the Devil Knows You're Dead, Ryan Gosling's sex-doll romance Lars and the Real Girl and the long-long-awaited complete fourth season of Melrose Place.

Take a few minutes and call your own shot for the weekend — can male full-frontal knock Jackie Chan out of the multiplex? Are you getting your pitchfork and/or torch ready for 88 Minutes?

WHAT'S NEW: Slim pickings, to be sure. The latest entry in the stultifying End-of-Ideas canon, the PG-13 slasher remake Prom Night is set to take the sluggish weekend with what most observers are predicting as a $14 million weekend in wide release. The only other release set to crack the top five is the Keanu Reeves cop-bomb Street Kings, which is tanking at Rotten Tomatoes as we speak and should top out between $10-$11 million. Also opening: the Ellen Page/Thomas Haden Church/Dennis Quaid comedy Smart People; the octogenarian-punk-choir doc Young@Heart; and an English-language version of France's Oscar-nominated animated film Persepolis, with voice contributions from Catherine Deneuve and Sean Penn.

THE BIG LOSER: Surprise hit 21 will no doubt slow down in its third week, but few recent releases will hit a wall as violently as George Clooney's Leatherheads. Poor word-of-mouth from reviews and a third-place finish on opening weekend will yield a poisonous turnout of no more than $6 million, mostly from Renee Zellweger obsessives eager for a second look after enjoying her hijinks at the London premiere.

THE UNDERDOG: After recent, high-profile berths at the Toronto and Sundance Film Festivals, the tiny ensemble drama The Visitor finally arrives in theaters. Directed by Tom McCarthy (The Station Agent), the film features Six Feet Under veteran Richard Jenkins as an emotionally withdrawn college professor who finds a Middle Eastern stranger crashing in his New York apartment. The "visitor," an illegal immigrant, teaches our mild-mannered hero the meaning of life through hand-drum lessons until he's arrested and deported. Thankfully the professor is a decent enough human and drummer by that point that he manages to score with the man's visiting mother. But, you know, in a good way. Just trust us, we liked it.

FOR SHUT-INS: New DVD's include There Will Be Blood, Walk Hard: The Dewey Cox Story, Lions For Lambs, Sweeney Todd and, in a long-awaited coup that's kept us tethered to our living rooms since Tuesday, the first season of Matlock.

Are you excited yet? Aside from wagering with us on Leatherheads' box-office plunge, what are your own plans for a slow-ish movie weekend?