A few notes kicked under the door at Defamer HQ hint that the end may be near for Picturehouse, the Oscar-winning art house shingle plunged into limbo in February after its parent company New Line was absorbed by the Warner Bros. mothership. We have yet to hear where company president Bob Berney will wind up, though a popular rumor has him sharing power at Warners' other struggling boutique outpost, Warner Independent Pictures, with current WIP boss Polly Cohen. We posit at least one more underdog alternative as well — plus a prognosis for the remaining Picturehouse output — after the jump.
Another whisper (and our own preference) has Berney starting fresh at a new company underwritten with hedge fund cash. The latter would suit him well with Cannes on the horizon and Warners' decreasing overall interest in the volatile indie marketplace; the studio would gladly get out anytime, but we hear they're willing to move ahead with Berney if he's interested. We doubt it, particularly as a co-president with Cohen; he's been calling his own shots forever (quite well, we should add) and would be too attractive a prospect to new money with fewer strings attached. And Berney could bring along the majority of his staff, who would likely take pink slips under the WIP scenario.
In any case, the Picturehouse calendar doesn't bode well for any kind of longevity. Despite Marion Cotillard's Oscar win for La Vie en Rose, the bitter disappointment that was Run Fat Boy Run casts a longer shadow over what's looking like a pallid 2008. Most notably, Warners is reportedly unhappy with the all-star remake of The Women set for this fall. A source tells us the B-thriller Amusement could go directly to DVD. Additionally, with so much of New Line's infrastructure — much of which supports Picturehouse's distribution efforts — to be stripped by the end of July, the worst-case scenario has Picturehouse closing out with the Abigail Breslin vehicle Kit Kittridge: An American Girl on July 2 and Warners cleaning up the rest from August on.
Did we miss anything? Are you hearing different? You know where to find us either way.










Comments
"the bitter disappointment that was Run Fat Boy Run"
Oh, BOO, STV. That movie was better than it had any business being. I have to respectfully disagree and say, "Boooooooooo".
as you mentioned, he has the cred...while no one knows why Polly has the WIP gig...unless all those rumors about her are true.
"Most notably, Warners is reportedly unhappy with the all-star remake of The Women set for this fall."
Gee, there is a shocker.
Eva Mendes, Meg Ryan, Jada Pinkett Smith, Debra Messing...yeah, they can replace Joan, Rosalind, Norma, etc...jackasses.
So, when does the Leibovitz/Breslin photo shoot happen?
@Little Mintz Sunshine: Not 'til the release of "Hounddog 2."
@Shivery.McPickles: I really liked it, too. But it fared miserably at the box office at the worst possible time for Picturehouse, and Warners took sharp notice. That said, it wasn't an in-house tank like Rocket Science (which I also really liked); I'd hope it isn't weighted the same. Alas, that's the biz.
@STV: Then I rescind my "Booooooo" to you, and redirect it to the chuds that missed that gem in the theaters. Seriously, I'd rather be struck by lightning than be labeled a 'Schwimmer Cheerleader', but come on, he struck gold.
Tiny, low-budge, Simon-pegg-coattails gold.
How was FATBOY any less of an in-house tank than ROCKET SCIENCE? Wasn't RS an HBO pic and FATBOY a NL one? Seeing as how Picturehouse was a joint venture, it seems that if one is considered "in-house" they both should be, no?
@Armin_Tamzarian: RS was a product of the HBO/Picturehouse marriage, which broke up earlier this year. It was developed in-house, or at least financed in part by that partnership. My understanding is that Fatboy was indeed spun off to Picturehouse by New Line; it wasn't Berney's baby, but it was his responsibility. Right or wrong, its failure may have been the last to reflect on his regime.
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